A Stage Opened, a Barrier Shattered

Kathakali, the classical dance-drama of Kerala rooted in mythology and temple traditions, has long been dominated by male artists. Even though the institute opened admissions to girls only a few years ago, no Muslim girl had ever performed there—until now. On Vijayadashami, Sabri took to the stage in the Krishna vesham, becoming the first Muslim girl to perform at Kerala Kalamandalam in nearly a century of its existence.

The Spark That Lit the Flame

Sabri, from Kollam district, first caught the Kathakali bug around age 11 when she watched a temple performance during her father’s photography work. The costumes, the makeup, the storytelling—it all left an indelible mark. Her father, noticing her fascination, encouraged her to learn the form. 

When Kalamandalam announced in 2021 that it would admit girls, Sabri was still in Class 6, while official entry began in Class 8. Undeterred, she started training locally, persevering through pandemic lockdowns until she was ready to apply. A veteran teacher intervened and supported her case, and she was finally accepted into the Kathakali course.

Preparation, Perseverance, Performance

Her journey has demanded rigorous discipline. Every mudra, every facial expression (abhinaya), and each posture—she trained under teachers who guided her patiently through a domain unfamiliar to many in her community. On the night of her debut, she donned a heavy costume and makeup and walked onstage with confidence. Her inaugural act—the Krishna Purappadu—lasted nearly forty minutes, and she delivered it with poise and grace.

Beyond an Individual Moment

Sabri’s performance is more than just a personal milestone. It is a visible sign that traditions can evolve and that classical arts may become more inclusive. Her debut also signals to other girls, especially those from minority communities, that classical art forms are not closed doors. She joins a growing movement of artists who are expanding who is “allowed” to participate in cultural heritage.

Sabri still has many years of training ahead. She will study deeper roles and complex storytelling techniques. But her first step on the Kalamandalam stage will be remembered as a watershed moment. As she grows in mastery, she may inspire others, not just to learn Kathakali, but to push boundaries, break stereotypes, and shape the identity of arts in modern India.